The first movie ever filmed in CinemaScope The Robe was nominated for five Academy Awards in 1953 including Best Picture and Best Actor for Richard Burton. Burton stars as Marcellus Gallio the Roman centurion charged with overseeing the crucifixion. But when he wins Christ's robe in a gambling game at the foot of the cross his life is changed forever. With its inspired story set to a spectacular score and featuring an all-star cast including Victor Mature and Jean Simmon
A box set of classic film gems from Ealing studios Includes: 1. The Ladykillers (Dir. Alexander Mackendrick 1955) 2. The Man in The White Suit (Dir. Alexander Mackendrick 1951) 3. The Magnet (Dir. Charles Frend 1950) 4. Scott of The Antarctic (Dir. Charles Frend 1948)
The first British film ever to be labelled "horrific" (as well as being the first British horror with sound) The Ghoul is presented here for the first time in High Definition in a restoration from original film elements in its original aspect ratio. Starring Boris Karloff Cedric Hardwicke and Ralph Richardson this landmark film is a key title in any horror film collection. An eminent dying Egyptologist has purchased a precious stone stolen from an Egyptian tomb which he believes will appease the ancient gods after his death if they are buried together. When the stone is stolen from his tomb he returns as a ghoul – furious at the theft and hell-bent on wreaking revenge upon those responsible! Bonus Features: Feature commentary by horror experts Kim Newman and Stephen Jones Extensive image galleries Commemorative booklet by Stephen Jones
It appeared, at the end of the epochal 1931 horror movie Frankenstein, that the monster had perished in a burning windmill. But that was before the runaway success of the movie dictated a sequel. In Bride of Frankenstein, we see that the monster (once again played by Boris Karloff) survived the conflagration, as did his half-mad creator (Colin Clive). This remarkable sequel, universally considered superior to the original, reunites other key players from the first film: director James Whale (whose life would later be chronicled in Gods and Monsters) and, of course, the inimitable Dwight Frye, as Frankenstein's bent-over assistant. Whale brought campy humour to the project, yet Bride is also somehow haunting, due in part to Karloff's nuanced performance. The monster, on the loose in the European countryside, learns to talk and his encounter with a blind hermit is both comic and touching. (The episode was later spoofed in Mel Brooks's Young Frankenstein.) A prologue depicts the author of Frankenstein, Mary Shelley, being urged to produce a sequel by her husband Percy and Lord Byron. She's played by Elsa Lanchester, who reappears in the climactic scene as the man-made bride of the monster. Her lightning-bolt hair and reptilian movements put her into the horror-movie pantheon, despite being onscreen for only a few moments. But in many ways the film is stolen by Ernest Thesiger, as the fey Dr. Pretorious, who toasts the darker possibilities of science: "To a new world of gods and monsters!" --Robert Horton
Vivien Leigh is the young Cleopatra and Claude Rains is Julius Caesar in the spectacular 1945 version of George Bernard Shaw's Caesar and Cleopatra. As Rome invades Egypt Julius Caesar (Rains) stumbles across the young and unrefined princess Cleopatra (Leigh) sheltering in the Sphinx. Impressed by her spirit and intelligence seduced by her charm he determines to make her Queen. Cleopatra learns about power and politics at the feet of a master but her downfall begins when she is se
Benny Hill's hilarious movie debut from the screenwriter of the Lavender Hill Mob. Benny Hill stars as Hugo Dill an inept ice rink attendant amateur detective and extremely clumsy master of disguise. But when Hugo stumbles into an international espionage plot he's soon over his head in a crazy case of mistaken identity murderous spies a bumbling romance with a beautiful strongwoman (Belinda Lee) and a top secret machine that can control the world's weather. David Kossoff
Ealing Comedy--cosy, gentle and whimsical, right? In this case, think again. Alexander Mackendrick was always the most politically aware of the Ealing directors, and in The Man in the White Suit he takes the studio's favourite theme of the little man up against the system and gives it a sharp satirical twist. Sidney Stratton (Alec Guinness at his most unworldly), a maverick scientist working in a Northern textile mill, invents a fabric that never gets dirty and never wears out. He's hailed as a genius--until management and unions alike realise what his brainwave implies. Mackendrick's humour is exact and pointed, and the satire turns savage as a lynch mob of bosses and workers hunt Sidney down through dark narrow streets. Mackendrick's disenchanted view of hidebound, class-ridden British society still rings horribly true, and he draws note-perfect performances from the cream of British character actors: Cecil Parker as the liberal mill-owner (based it's said, on Ealing boss Michael Balcon); Ernest Thesiger as the evil old godfather of the industry; and, wittily sensual as Sidney's confidante, the ever-wonderful Joan Greenwood. Plus, listen out for the "voice" of Sidney's bizarre apparatus, the funniest and most unforgettable sound effect ever devised. --Philip Kemp
Ralph Richardson and Roland Young head the cast in this film in which a group of heavenly observers decide to bestow magical powers on a mild mannered draper's assistant George Fotheringay (Roland Young) with amazing results. At first George doesn't realise the extent of his gift and uses it to play tricks to impress and woo Ada Price (Joan Gardner). When others try to exploit George's gift for their own ends he is dismayed by their selfishness and takes it upon himself to assert moral authority. When things start getting out of hand the celestial beings decide it is time to intervene. Based on the novel by H.G Wells.
The Robe was designed by 20th Century-Fox to show off the wonders of CinemaScope, and taken simply as a vehicle for widescreen photography the movie is undeniably a visual treat. Perhaps the clumsy early 'Scope cameras were partly to blame, but from any other perspective--plot, dialogue and acting--The Robe is a flat, overly reverential and turgid piece of film making. Richard Burton is the Roman Centurion on duty at Christ's crucifixion who bets on and wins Jesus' robe, then spends the rest of the movie agonising about becoming a Christian. Victor Mature is his sanctimonious slave Demetrius. So confident were the producers of box-office success that they commissioned the sequel, Demetrius and the Gladiators, even before The Robe had been released. --Mark Walker
When a sacred jewel that is imbued with the pagan power of the Egyptian gods is stolen from the tomb of Professor Morlant the deceased man rises from his grave and seeks out the precious stone. However the Professor has no idea who stole the jewel and neither do you...
Saucy comedy superstar Benny Hill makes his screen-starring debut in one of the last Ealing comedies ever made. Co-starring Belinda Lee as a glamorous showgirl and David Kossoff as a dastardly foreign spy and directed by BAFTA award-winning Basil Dearden Who Done It? is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. A clumsy ice rink sweeper with delusions of grandeur, Hugo Dill fantasises about becoming a private investigator. When he wins both a bloodhound and a sum of money in a magazine competition, he decides the time is right to change career and fulfil his dream! SPECIAL FEATURES: The Waiters: a Benny Hill short film from 1969 Theatrical trailer Image gallery
A collection of eight classic Ealing studio British comedies comprising: Hue And Cry: A group of criminals use a boy's paper as a means of messages and information. This ploy is discovered by a group of East End boys who take exception to the crooks use of their favourite read! Kind Hearts And Coronets: Sir Alec Guinness gives a virtuoso performance in his Ealing comedy debut playing all eight victims standing between a mass-murderer and his family fortune. Considered by some to be Ealing's most perfect achievement of all the Ealing films. The Ladykillers: Alexander Mackendrick's third Ealing farce is the final comedy produced by the famous British studio and one of its most celebrated. The Lavender Hill Mob: Mr. Holland (Alec Guinness) has supervised the bank's bullion run for years. He is fussy and unnecessarily overprotective but everyone knows he is absolutely trustworthy. And so on the day the bullion truck is robbed he is the last person to be suspected. But there is another side to Mr. Holland; he is also Dutch the leader of the Lavender Hill Mob. The Magnet Centred on Johnny Brent (James Fox) a boy who fleeces a younger child out of his beloved magnet. In its place he offers an 'invisible' timepiece and there begins the chain of chaos in which the young swindler absconds from his home with the mistaken belief that he has somehow caused the young child's death. Unbeknownst to him he has become the town hero and as the unsung victor remains on the run the community are left to make sense of the goings on from speculation and gossip... The Man In The White Suit: Sidney Stratton (Alec Guinness) works quietly at Michael Corland's textile mill until his mysterious costly lab experiment is discovered. sacked Stratton takes a menial job at Alan Brinley's mill in order to continue his work on the sly. When Daphne Corland's fianc''e and Birnley's daughter discovers his secret she threatens to expose Stratton. The desperate scientist reveals to Daphne that he has invented an indestructible cloth that never gets dirty... Passport To Pimlico: An archaic document found in a bombsite reveals that the London district of Pimlico has for centuries technically been part of France. The local residents embrace their new found continental status seeing it as a way to avoid the drabness austerity and rationing of post-war England. The authorities do not however share their enthusiasm... The Titfield Thunderbolt: When an antiquated railway line is threatened with closure the villagers decide to run it themselves and enter into frenzied competition with the local bus route with hilarious consequences!
Carroll Levis stars as himself in this intriguing whodunit. He inadvertently becomes embroiled in a caper involving the smuggling of a priceless brass monkey into England. The potential buyer is Mr. Ryder-Harris (Ernest Thesiger). This eccentric gentleman claims the ancient artifact is ""beyond human value to any follower of Buddhism."" Levis has been given the monkey by his friend Kay Sheldon who is a former talent discovery. She obtained the relic from her fiance who happens to be one of Londons most disreputable fences of stolen goods. The monkey lands in the clutter of Levis office and is promptly mislaid. Then chaos follows as several unscrupulous parties try to steal the monkey resulting in murder and mayhem. Amid all of this ""monkey business "" an array of musical and comedy performers audition for and appear on ""The Levis Hour "" our heros weekly radio program. Outstanding among the entertainers is gap-toothed farceur Terry-Thomas in a very comical early film appearance.
Sidney Stratton (Alec Guinness) works quietly at Michael Corland's (Michael Gough) textile mill until his mysterious costly lab experiment is discovered. Fired by Corland Stratton takes a menial job at Alan Birnley's (Cecil Parker) mill in order to continue his work on the sly. When Daphne (Joan Greenwood) Corland's fiance and Birnley's daughter discovers his secret she threatens to expose Stratton. The desperate scientist reveals to Daphne that he has invented an indestructible cloth that never gets dirty. Close to realizing his vision Stratton celebrates by having a white suit made of the fabric (because it repels dye). The trouble however is just beginning. The lowly mill workers (who spout market economics in rough accents) fear for their jobs while the mill owners led by the decrepit Godfather-esque Sir John Kierlaw (Ernest Thesiger) worry about their profits.
Angela Barrows (Constance Cummings) is a man-eating businesswoman who is sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson (Robert Morley) a businessman who asks for help to bring his company into the 20th century. The staff led by Mr Martin (Peter Sellers) has other ideas however and a comic battle between the old and new business methods soon breaks out. A vintage Peter Sellers comedy that ranks amongst his funniest!
Long Lost Comedy Classics is a collection of films from a golden age of British Cinema remembered for timeless stars and some unique movies that have stood the test of time. So why not take a trip down memory lane and see how cinema used to be?
None of these British films have ever been released before on video or DVD since their original cinema run. All are re-mastered from the negatives. Featuring British thriller film stars Patrick McGoohan Sylvia Syms Tom Bell Susan Hampshire Herbert Lom Carole Landis Ed Begley and many other British stars. Includes: 1. Brass Monkey 2. The Quare Fellow 3. Violent Enemy
Boris Karloff's first British film. The story of Professor Morlant an eccentric Egyptologist who becomes obsessed with the mystical powers of the ancient Egyptian gods. On his deathbed he orders his servant to bind a sacred jewel called 'The Eternal Light' to his hand. He warns that if the jewel is stolen he will return from the grave looking for revenge. Please note: This is a NTSC disc.
A triple bill of vintage B horror: Bela Lugosi stars in The Ape Man (1943) Boris Karloff appears in The Ghoul (1934) and Lon Chaney Jr. top lines Indestructible Man (1956). The Ape Man: Mad scientist Dr. Brewster long thought dead is working away in his basement laboratory on a serum derived from gorilla spinal fluid. Experimenting on himself Dr. Brewster is dismayed to discover that the injections have given him a bushy beard and begun to force his spine into a distinctly
Seeking shelter from a pounding rainstorm in a remote region of Wales several travellers are admitted to a gloomy foreboding mansion belonging to the extremely strange Femm family. Trying to make the best of it the guests must deal with their sepulchral host Horace Femm and his obsessive malevolent sister Rebecca. Things get worse as the brutish manservant Morgan gets drunk runs amok and releases the long pent-up brother Saul a psychotic pyromaniac who gleefully tries to destroy the residence by setting it on fire!
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